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Born
in Yonkers, New York, in 1964
Lives in New York City
Education
1988 Columbia University, New York; MFA
1986 Cooper Union, New York; BFA
One-Person Exhibitions
2007 “Sunrise at the Bottom of the Ocean,” Mario Diacono at Ars Libri, Boston
2006 Alexander Pollazzon Ltd., London
2005 Feature Inc., New York
“The Year
of Who Knows When,” Greener Pastures Contemporary Art, Toronto
2004 Museo de Arte Carrillo Gil, Mexico City
M du B, F, H
& g, Montreal
2003 Feature Inc., New York (catalogue)
2001 Feature Inc., New York
2000 Museo de las Artes de la Universidad
de Guadalajara, Guadalajara, Mexico
M du B, F, H
& g, Montreal
1998 A.N. Gallery, Karachi, Pakistan
1997 Feature Inc., New York
Cokkie Snoei,
Rotterdam
1996 Cabinet Gallery, London
1995 Feature Inc., New York
1994 “Desonicator and Sleeping Bags,”
Feature Inc., New York
1993 Cabinet Gallery, London (catalogue)
“Sleeping
Bags and Desonicator,” Kim Light Gallery, Los Angeles
1991 “Druidyssey,” Feature Inc.,
New York
Selected Group Exhibitions
2007 “Kim Light Gallery: Early 90s,” Kim Light Gallery, Los Angeles
“Every Revolution Is a Roll of the Dice,” Ballroom Marfa, Texas; curated by Bob Nickas
“RAW – Among the Ruins,” Marres Center for Contemporary Culture, Maastricht, Netherlands; curated by Lisette Smits and Alexis Vaillant (accompanying book)
“Shark & Hall – KLAT Featuring Jason Fox,” Batiment 59, Artamis, Geneva; curated by KLAT
“Feed Your Head,” Heskin Contemporary, New York; curated by Andrew Chesler (catalogue)
“Thoughts,” Feature Inc., New York
“Automatic,” Franklin Parrasch Gallery, New York; curated by Chris Churchill
2006 “The Inhumane Society,”
Momenta Art, Brooklyn, NY
“Drawing
III (Selected),” g-module, Paris
“An Ongoing
Low-Grade Mystery,” Paula Cooper Gallery, New York; curated by Bob
Nickas
“Exquisite
Corpse—Cadavre Exquis: A game played between Mitchell Algus and
Bob Nickas,”
Mitchell Algus Gallery, New York
“Clarissa
Dalrymple’s Exhibition of Young Artists to Benefit the Foundation
for Contemporary Arts,”
Bortolami Dayan, New York; curated by Clarissa
Dalrymple
2005 “Drunk vs. Stoned 2,” Gavin
Brown’s enterprise, New York; curated by Elysia Borowy-Reeder,
Gavin Brown, Corinna Durland, Scott Reeder,
and Tyson Reeder
”Dual Vision,”
Wendy Cooper Gallery, Chicago; curated by John McKinnon
“The sun
rises in the evening.,” Feature Inc., New York
“Greater
New York 2005,” P.S.1 Contemporary Art Center, Long Island City,
NY (catalogue)
“Behind
the Wall of Sleep,” Greener Pastures Contemporary Art, Toronto
2004 “Versus: Huma Bhabha and Jason
Fox,” Arena Mexico, Arte Contemporaneo, Guadalajara,
Mexico
“The Four-Color
Pen Show,” Locust Projects, Miami; The General Store, Milwaukee,
WI; curated
by Elysia Borowy and Heather Hubbs
“Radicales
Libres,” Central de Arte WTC, Guadalajara, Mexico; curated by Ruben
Mendez
“Beat
the Reaper!” Allston Skirt Gallery, Boston; curated by Joe Bradley
“Drunk
vs. Stoned,” The General Store, Milwaukee, WI, in association with
GBE @ Passerby,
New York; curated by Elysia Borowy, Gavin
Brown, Corinna Durland, and
Emily Speers Mears
“Dum Dum
Grown-Up Art,” HERE Art Center, New York; curated by Josh Kil
2003 “Lumpenedlyness,” Lump
Gallery/Projects, Raleigh, NC; curated by Hudson
“The Melvins,”
Anton Kern Gallery, New York; curated by Bob Nickas
“The Burnt
Orange Heresy,” Space 101, Brooklyn, NY; curated by David Hunt
“transnational
monster league,” Derek Eller Gallery, New York; curated by Banks
Violette
2002 “GtT2,” Yerba Buena Center for
the Arts, San Francisco; curated by ANP (catalogue)
2001 “Not a. Lear,” Gracie Mansion
Gallery, New York; Allston Skirt Gallery, Boston; Galerie S. & H.
de Buck, Ghent, Belgium
“Dear
Dead Person,” Momenta Art, Brooklyn, NY; curated by Banks Violette
“Blondies
and Brownies,” Aktionsforum Praterinsel, Munich; curated by Rafael
von Uslar
2000 “Blondies and Brownies,”
Torch, Amsterdam; curated by Rafael von Uslar
“Hairy
Forearm’s Self-Referral,” Feature Inc., New York
“Not a.
Lear,” Torch, Amsterdam; Art Process, Paris; curated by ANP
1999 “Drawings: Jason Fox and Chris
Hammerlein,” Feature Inc., New York
“Pleasure
Dome,” Jessica Fredericks Gallery, New York
“Xthetic,”
Stefanelli Exhibition Space, New York; curated by Giles Lyon
“Cookie
Snow Feature,” Cokkie Snoei, Rotterdam
“Drawings,”
Feature Inc., New York
“Loaf,”
Baumgartner Galleries, New York
“Xthetic,”
Angstrom Gallery, Dallas; curated by Giles Lyon
1998 “Sociable Realism,” Stephen
Friedman Gallery, London; curated by Paul Noble
“Spectacular
Optical,” Thread Waxing Space, New York; Museum of Contemporary
Art, North
Miami, FL; CU Art Galleries, University
of Colorado, Boulder, CO; curated by Lia Gangitano
(catalogue)
“Paintings,”
M du B, F, H & g, Montreal
“Ketchup
(a project by KLAT),” Forde Espace d’art contemporain, Geneva;
curated in association
with Fabrice Stroun
“WOp:
Works on/of paper,” ANP, Antwerp, Belgium
“Yoyogaga,”
Feature Inc., New York
1997 “Bring Your Own Walkman,”
W139, Amsterdam; curated by Jack Jaeger
“gnarleyand,”
Feature Inc., New York
“Supastore
de Lux,” Up & Co., New York; curated by Susan Stanton
“Popocultural
II,” Southampton Art Gallery, Southampton, England; curated by Cabinet
Gallery
“Microcosmic
Cryptozoic,” HERE Art Center, New York; curated by Melissa Zexter
1996 “Tekenen/Drawing ’96: Rotterdam
on Line,” Cokkie Snoei, Rotterdam
“Escape
Attempts” (video screening), Christiania, Denmark; organized by
Jack Jaeger
“The Paranoid
Machine,” Shoshana Wayne Gallery, Santa Monica, CA; curated by Michael
Cohen
“Popocultural,”
South London Gallery, London; curated by Cabinet Gallery
1995 “It’s Only Rock & Roll,”
Phoenix Art Museum, Phoenix, AZ; curated by David Rubin (catalogue)
“Gaze
a Gazely Stare,” Feature Inc., New York, NY
“Smells
Like Vinyl,” Roger Merians Gallery, New York, NY; curated by Sarah
Seager and
Thaddeus Strode
“Crystal
Blue Persuasion,” Feature Inc., New York, NY
“21 Days
of Darkness,” Transmission Gallery, Glasgow, Scotland
1994 “Surface de Réparation,”
FRAC Bourgogne, Dijon, France; curated by Eric Troncy (catalogue)
“Body Language,”
Tavelli Gallery, Aspen, CO
“Please Don’t
Hurt Me!” Cokkie Snoei, Rotterdam; Cabinet Gallery, London; curated
by
Jack Jaeger
“S.I.B. (Swelling Itching Brain),”
Satellite Gallery, New York
1993 “Arachnosphere,” Ranmarine
Gallery, Long Island City, NY
“Outside Possibilities,”
The Rushmore Festival, Woodbury, NY; curated by Bill Arning
“Some artists
I’ve been thinking about that fall under the title of: Wouldn’t
it be more pluralistic to
embrace turmoil and/or violence?”
Andrea Rosen Gallery, New York
“The Return
of the Cadavre Exquis,” Drawing Center, New York; Corcoran
Gallery of Art,
Washington, DC; Forum for Contemporary
Art, St. Louis, MO; Fundación para el Arte
Contemporáneo, Mexico City; Santa
Monica Art Museum, Santa Monica, CA; curated by
Ann Philbin and Ingrid Schaffner (catalogue)
1992 “Seven Rooms/Seven Shows,”
P.S.1 Contemporary Art Center, Long Island City, NY; curated by
Kathleen Cullen
Kim Light Gallery,
Los Angeles
“The Red Light
Show,” Stichting Casco, Utrecht, Netherlands; curated by Jack
Jaeger
“The Mud Club,
Winchester Cathedral & Lake Nairobi,” Gahlberg Gallery, College
of DuPage,
Glen Ellyn, IL; curated by Hudson (catalogue)
1991 “Office Party,” Feature,
New York
“Louder,”
Gallery 400, University of Illinois, Chicago; curated by Tony Tasset and
Kathryn Hixson
Selected Bibliography
2007 USA Today, exhibition catalogue, Saatchi Gallery, London (frontispiece)
2006 Lafreniere, Steve. Interview with Hudson, Index, November/December, 34–41 (reproduction)
Lillington, David. Review, Frog, no. 4 (Autumn/Winter), 46–49 (reproductions)
“Do Androids Dream of Electric Sheep?,” Vellum, no. 4 (Fall/Winter), 32–35 (reproductions)
2005 Greater New York 2005, exhibition catalogue, P.S. 1 Contemporary Art Center, Long Island City, NY, 156–157
Faust, Lily. Review, M/The New York Art World, vol. 8 no. 6 (February), 8 (reproduction)
Manning, Sean. Review, New York Press, 9–15 February, 44 (reproduction)
Nusser, Madeline. “The Four-Color Pen Show,” Time Out Chicago, 3–10 March, 52 (reproduction)
Reed, John. Review, Time Out New York, 3–9 February, 59 (reproduction)
Saltz, Jerry. Review, Village Voice, 2–8 February, 74
Vincent, Steven. Review, Art in America, June/July, 179–180 (reproduction)
2004 Lehmann, Henry. “Variations On Nature of Reality,” Montreal Gazette, 31 January, Weekend section, 3 (reproductions)
Saltz, Jerry. “Blotto, Meet Buzzed,” Village Voice, 19–25 May, 89
2003 Cotter, Holland. Review, New York Times, 28 February, E45
2001 Cotter, Holland. Review of “Dear Dead Person,” New York Times, 25 May, E29
Smith, Roberta. “As Chelsea Expands, a Host of Visions Rush In,” New York Times, 1 June, E33
1999 Collings, Matthew. It Hurts: New York Art from Warhol to Now, 21 Publishing, London
Ivy, Angus. Review of “WOp,” Zingmagazine 10 (Summer), 229–230
1998 Cotter, Holland. Review of “Yoyogaga,” New York Times, 20 November, E43
Mahoney, Robert. Review of “Spectacular Optical,” Time Out New York, 18 June
Reid, Calvin. Review, Art in America, July, 100 (reproduction)
Sciaccaluga, Maurizio. “Chiamatelo Godzilla,” Tema Celeste, October–December, 42–51, 98–101 (reproduction)
Smith, Roberta. Review of “Spectacular Optical,” New York Times, 3 July, E33
1997 Freedman, Carl. Review of “Popocultural II,” Frieze, May, 75 (reproduction of artwork only)
1995 Goings On About Town, New Yorker, 13 November, 22
Greeven, Christina. Review of “The Return of the Cadavre Exquis,” Manhattan File, May, 64–69 (reproduction)
1994 Cotter, Holland. Review, New York Times, 14 January, C29
Levin, Kim. “S.I.B. (Swelling Itching Brain),” Village Voice, Choices, 28 July
Levin, Kim. Village Voice, Art in Brief, 8 February, 72
Lillington, David. Review, Metropolis M, April, 50 (reproduction)
Lillington, David. Review, Time Out London, 19 January, 46 (reproduction)
Saltz, Jerry. “A Year in the Life: Tropic of Painting,” Art in America, October, 90–101 (reproduction)
Yehya, Naief. “La Caligrafia Criminal de Jason Fox,” Rock & Pop, July, 75–76 (reproduction)
1993 Cameron, Dan. “The Critical Edge: Arranging Things,” Art & Auction, January
Fox, Marisa. “Rock Kulture,” Option, November/December, 83–85
Holmqvist, Karl. Interview, Pig, no. 6 (Summer)
1992 Bekkering, Peter. “Let’s Talk About Sex,” Culture Magazine WOAR, October, 11
Bernardi, David. Review, Flash Art, May/June, 149 (reproduction)
Bonami, Francesco. “U.S. Pain,” Flash Art, May/June, 100–102 (reproduction)
Figee, Thea. “Bedrijvige Piemels en Borsten bij CASCO,” Utrechts Nieuwsblad, 1 October
Hagemans, Arno. “Riskant Erotiek, Maar Geen Porno in ‘The Red Light Show,’” Utrechts Nieuwsblad, 16 September
Hoenjet, Frank. “De Sinaasappelhuid van de Erotiek,” Univeriteitsblad Utrechts, 24 September
Marrs, Jennifer. “Simple Style with a Complex Meaning,” Courier, 2 October, 15, 18
1991 Review of “Feature Creatures,” Flash Art, November/December
Selected Projects, Publications, and Reproductions of Artwork
2006 Soft Targets 1, no. 1, 213–216 (portfolio)
2004 “Installation: Selected by Dana Schutz,” Modern Painters, Autumn, 66 (reproduction of artwork)
2003 “Models and Monsters,” Open City 17 (summer), 1, 51–58 (reproductions of artworks)
Manual, edited by Alexandre Estrela and Scott Harrison, Litographia Amorim, Lisbon, 77, 87 (reproduction of artwork)
1996 “Jason Fox,” Documents sur l’Art, Spring, 12 (reproduction of artwork)
Tijdschrift, no. 3, Salle de Bains, Rotterdam, 44–45 (reproduction of artwork)
1995 “Comfortably Numb: Drawings by Jason Fox,” Chemical Imbalance, Winter
1994 “Working Conditions: A Forum on Art and Everyday Life by Younger Artists,” Julia Jacquette and Lawrence Lipkin, guest editors, M/E/A/N/I/N/G, no. 16, 12–13
1993 ABeSea, May, 16 (artist’s project)
L’endroit idéal (Ideal Place), edited by Eric Troncy, L’Ile du Roy, Centre d’Art et Jardin, Val due Reuil, France, 66–67 (artist’s project)
Snake Eyes, no. 3, inside back cover (reproduction of artwork)
Awards and Honors
2006 Champagne Perrier-Jouët Prize
for Best Artist at Zoo Art Fair |
