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Born in Islip, New York, in 1969
Lives in San Francisco
Education
1992 Wesleyan University, Middletown, CT; BA
One-Person Exhibitions
2006 Galerie Daniel Buchholz, Cologne
2005 Greengrassi, London
2004 “Journal #7,” Van Abbemuseum, Eindhoven, Netherlands (brochure)
2003 Feature Inc., New York (catalogue)
2002 “Matrix 199: Vincent Fecteau, Recent Sculpture,” UC Berkeley Art Museum/Pacific Film
Archive, Berkeley, CA; Pasadena Museum of California Art, Pasadena, CA (catalogue)
2000 Greengrassi, London
1999 Marc Foxx, Los Angeles
1998 Feature Inc., New York
1997 Ynglingagatan 1, Stockholm
1996 Feature Inc., New York
1995 “Introductions,” Gallery Paule Anglim, San Francisco
1994 “Ben,” Kiki, San Francisco
Selected Group Exhibitions
2007 “Exit Music (for a film),” Grimm/Rosenfeld, Munich; curated by Michelle Lopez (catalogue)
Summer group exhibition, Casey Kaplan Gallery, New York; curated by Bruce Hainley
“The Recognititon,” The Fireplace Project, East Hampton, New York; curated by David Salle
“A Point in Space Is a Place for an Argument,” David Zwirner Gallery, New York
2006 “Galerie Buchholz at Metro Pictures,” Metro Pictures, New York
“FOCA Fellowships: Vincent Fecteau, Evan Holloway, Monica Majoli,” Armory Center for the Arts, Pasadena, CA (brochure)
“Pure Land,” Ratio 3, San Francisco
“Dereconstruction,” Barbara Gladstone Gallery, New York; curated by Matthew Higgs (catalogue)
2004 “Müllberg,” Galerie Daniel Buchholz, Cologne
“Abstract Reality,” Sead Gallery, Antwerp, Belgium
“Happy Medium,” Clementine Gallery, New York; curated by Meghan Dailey
“Gallery Artists,” Feature Inc., New York
2003 “The Alumni Show,” Ezra and Cecile Zilkha Gallery, Center for the Arts, Wesleyan Univeristy, Middletown, CT (catalogue)
“Ishtar,” Midway Contemporary Art, St. Paul, MN; curated by Bruce Hainley (catalogue)
2002 “The Longest Winter,”Schmitd Center Gallery, Florida Atlantic Universtiy, Boca Raton, FL; curated by Gean Moreno
“Artists Imagine Architecture,” Institute of Contemporary Art, Boston (catalogue)
2002 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue)
“Tomma Abts/Vincent Fecteau,” Marc Foxx, Los Angeles
“GtT2,” Yerba Buena Center for the Arts, San Francisco; curated by ANP (catalogue)
“Now Is the Time,” Dorsky Galleries, Long Island City, New York; curated by Ken Freed
2001 “Smallish,” Greengrassi, London; curated by Dennis Cooper
“Vincent Fecteau/Maureen Gallace,” Gallery Paule Anglim, San Francisco
“Marked: Bay Area ‘Drawings,’” Leubsdorf Art Gallery, Hunter College, New York; curated by Heidi Zukerman Jacobson (catalogue)
“The Devil Is in the Details,” Allston Skirt Gallery, Boston; curated by Rena Conti and Ivan Moskowitz
“Off the Wall,” Gallery 400, University of Illinois at Chicago; curated by Gregory Sandoval and Sam Gordon
2000 “Here Kitty, Kitty,”Atlanta Center for Contemporary Art (Nexus), Atlanta
1999 “B.m.W (black met white),” ANP, Antwerp, Belgium
“Persuasion: Tales of Commerce and the Avant-Garde,” University of Buffalo Art Gallery, State University of New York, Buffalo, NY; curated by Karen Emmenhiser (catalogue)
“Calendar 2000,” Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY
Jernigan Wicker Fine Arts, San Francisco, CA (1999 Art Council Grant recipients)
1998 “Softcore,” Arkipelag Festival, Historika Museet, Stockholm; curated by Bjarne Melgaard
“Lovecraft,” South London Gallery, London; curated by Martin McGeown and Tony Webster
“Architecture and Inside,”Paul Morris Gallery, New York; curated by Kenneth Freed
“Inglenook,” Feigen Contemporary, New York; curated by Ivan Moskowitz, Rena Conti, and Yvette Brackman
1997 “Hello,” Feature Inc., New York
“Bay Area Now,”Yerba Buena Center for the Arts, San Francisco; curated by Renny Pritikin and René de Guzman (catalogue)
“Scene of the Crime,” Armand Hammer Museum of Art, Los Angeles; curated by Ralph Rugoff (catalogue)
1996 Feature Inc., New York
1995 “lo-fi,” Lauren Wittels Gallery, New York, NY; curated by Michelle Reyes
“In a Different Light,” University Art Museum, University of California at Berkeley, Berkeley, CA; curated by Lawrence Rinder and Nayland Blake (catalogue)
“Wildside,” Los Angeles Contemporary Exhibitions, Los Angeles
1994 “Sparkalepsy,” Feature Inc., New York
“Bong,” Kiki, San Francisco
“Next to Nothing,” Yerba Buena Center for the Arts, San Francisco; curated by René de Guzman (catalogue)
“The Ecstasy of Limits,” Gallery 400; University of Illinois at Chicago; curated by Yvette Brackman (catalogue)
1993 “Dress Code,” San Francisco Art Commission Gallery, San Francisco
“Caca at Kiki,” Kiki, San Francisco
Selected Bibliography
2007 Cohen, David. “Ample Room for Argument,” New York Sun, 2 August, 17
Cotter, Holland. Review of “Good Morning Midnight,” New York Times, 27 July, E32
Mueller, Stephen. “Quotidian and Engaging,” Gay City News, 12–18 July, 17
Orden, Abraham. The Minute, artnet.com, 16 August;
http://www.artnet.com/magazineus/reviews/orden/orden8-15-07.asp
Smith, Roberta. Review of “A Point in Space Is a Place for an Argument,” New York Times, 20 July, E29
2006 Dereconstruction, exhibition brochure with text by Matthew Higgs, Barbara Gladstone Gallery, New York
“Dereconstruction,” New Yorker, Goings On Around Town, 21 August, 13
Smith, Roberta, “Chelsea Is a Battlefield: Galleries Muster Groups”, New York Times, July 28
Velasco, David. Review of “Dereconstruction,” Artforum, September, 374
2005 Charlesworth, JJ. Review, Modern Painters, July/August, 106 (reproduction)
Thatcher, Jennifer. Review, Art Monthly, April, 18–19 (reproduction)
2004 Journal #7, exhibition brochure, Van Abbemuseum, Eindhoven, Netherlands
Bankowski, Jack. “Best of 2004,” Artforum, December, 162
Hainley, Bruce. “Best of 2004,” Artforum, December, 164–165 (reproduction)
2003 Vincent Fecteau, exhibition catalogue with texts by Michael Lobel and David Deitcher, Feature Inc., New York
Ishtar, exhibition catalogue with text by Bruce Hainley and Siobhan McDevitt, Midway Contemporary Art, St. Paul, MN
The Alumni Show, exhibition catalogue with introduction by Nina Felshin, Ezra and Cecile Zilkha Gallery, Center for the Arts, Wesleyan University, Middletown, CT
Pagel, David. Review, Los Angeles Times, 22 February, E16 (reproductions)
2002 Whitney Biennial 2002, exhibition catalogue with texts by Lawrence R. Rinder, Chrissie Iles, Christiane Paul, Debra Singer, et al, Whitney Museum of American Art, New York (with Harry N. Abrams, Inc., New York)
The Longest Winter, exhibition brochure with text by Gean Moreno, University Galleries, Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University, Boca Raton, FL
Now Is the Time, exhibition brochure with text by David Hunt, Dorsky Galleries, Long Island City, New York (curated by Ken Freed)
Matrix 199: Vincent Fecteau, Recent Sculpture, exhibition brochure with text by Heidi Zuckerman Jacobson, UC Berkeley Art Museum, Berkeley, CA; Pasadena Museum of California Art, Pasadena, CA
Guide to Trust No. 2, exhibition catalogue, Yerba Buena Center for the Arts, San Francisco
Artists Imagine Architecture, exhibition catalogue with texts by Dan Graham and Jessica Morgan, Institute of Contemporary Art, Boston
Baker, Kenneth. Review, San Francisco Chronicle, 1 August, D: 1, 9 (reproduction)
Cash, Stephanie, “Report from San Francisco,” Art in America, November (reproduction)
Cotter, Holland. “Architectural Visions Keep Dreamers Awake,” New York Times, 12 July
Cotter, Holland. New York Times, Art Guide, 8 September
Ferber, Lawrence. “Ultimate Aesthete,” New York Blade News, 5 April
Goddard, Donald. “Whitney Biennial 2002,” NewYorkArtWorld.com
Hainley, Bruce. “Bruno Fazzolari/Vincent Fecteau and Maureen Gallace,” Artforum, January, 146
Hainley, Bruce. “Best of 2002,” Artforum, December, 128–129 (reproduction)
Helfand, Glen. Review, San Francisco Guardian, 28 August, 438 (reproduction)
Helfand, Glen. Review, Artforum, November, 191–192 (reproduction)
Morris, Barbara. Review, Artweek, October (reproduction)
Ocaña, Damarys. “Compelling Obsessions,” Miami Herald, 6 October, M: 1, 3 (reproduction)
Phillips, Tony. “Whitney’s Gr0eatest Hits,” HX, 15 March (reproduction)
Satorius, Katherine. “Guide to Trust No. 2,” stretcher.org, June
Wilson, Michael. “2002 Whitney Biennial,” Frieze, Summer
2001 Marked: Bay Area “Drawings,” exhibition catalogue with text by Heidi Zuckerman Jacobson, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York
Bonnetti, David. Review, San Francisco Chronicle, 24 November
Farquharson, Alex. “Dennis Cooper Interview”, Untitled, Spring (reproduction)
Farquharson, Alex. Review, Frieze, January/February, 103–104 (reproduction)
Hainley, Bruce. “A Thousand Words: Vincent Fecteau Talks About His New Sculptures,” Artforum, March, 126–127 (reproduction)
Jones, Jonathan. Review of “Smallish,” The Guardian, March 28
Staple, Polly. “Smallish,” Art Monthly, April
Trimming, Lee. “Utter Zombiedom,” Flash Art, July–September
Trimming, Lee. “Smallish,” Flash Art, May/June
Wilsher, Mark. “Smallish,” What’s On in London, 28 March–4 April
2000 Cooper, Dennis. “Let Me Be Your Fantasy,” Dazed and Confused, November, 94–97 (reproduction)
Hainley, Bruce. “Best of 2000,” Artforum, December, 132–133 (reproduction)
1999 Hainley, Bruce. “Message to Michael,” Frieze, September/October, 72–77 (reproduction)
Hainley, Bruce. “Best of the ’90s,” Artforum, December, 130–131 (reproduction)
Iannaccone, Carmine. Review, Art issues, September/October, 48 (reproduction)
1998 Cotter, Holland. Review, New York Times, 17 April, E39
Hainley, Bruce. Review, Artforum, September, 154 (reproduction)
Johnson, Ken. Review of “Inglenook,” New York Times, 24 July, E39
Staple, Polly. Review of “Lovecraft,” Untitled, no. 16 (Summer), 22
1997 Scene of the Crime, exhibition catalogue with texts by Ralph Rugoff, Anthony Vidler, and Peter Wollen, UCLA at the Armand Hammer Museum of Art and Cultureal Center, Los Angeles (with M.I.T. Press, Cambridge, MA)
Bay Area Now, exhibition catalogue with text by Renny Pritkin and René de Guzman, Center for the Arts at Yerba Buena Gardens, San Francisco
Doran, Anne. Review of “Hello,” Time Out New York, 7 August, 47
Ericsson, Lars O. “Slävporträtt i Vinyl,” Dagens Nyheter, 12 November
Joyce, Julie. “Scene of the Crime,” Art Issues, November/December
Miles, Christopher. “Vincent Fecteau’s Teflon Failures,” SOMA, October, 16–18 (reproduction)
1996 Cooper, Dennis. “Spirit Whirl,” Artforum, December, 12–14
Hainley, Bruce. “Dumb Up,” Artforum, December, 30–32
Hainley, Bruce. Review, Frieze, November/December, 82–83 (reproduction)
1995 In a Different Light: Visual Culture, Sexual Identity, Queer Practice, exhibition catalogue edited by Nayland Blake, Lawrence Rinder, and Amy Scholder, University Art Museum and Pacific Film Archive, Berkeley, CA (with City Lights Books, San Francisco)
Bonetti, David. Review of “Introductions,” San Francisco Examiner, 14 July, C17
Cooper, Dennis. “Openings: Vincent Fecteau,” Artforum, April, 84–85 (reproduction)
Helfand, Glen. “Piecemeal,” SF Weekly, 19 July
Helfand, Glen. “Kicking up with Kiki,” Men’s Style, May/June (reproduction)
Kastner, Jeffrey. Review of “lo-fi,” Frieze, September/October, 72–73
Pedersen, Victoria. Gallery Go ’Round, Paper, Summer
Whiting, Sam. “Collage Artist Fecteau...,” San Francisco Chronicle, 23 March
1994 Next to Nothing, exhibition catalogue with text by René de Guzman, Center for the Arts at Yerba Buena Gardens, San Francisco
The Ecstasy of Limits, exhibition catalogue with text by Yvette Brackman, Gallery 400, The University of Illinois at Chicago
Baker, Kenneth. “Pushing the Envelope,” San Francisco Chronicle, 17 September, E6
Bonetti, David. “Working Minimalist Magic,” San Francisco Examiner, 17 October, B3
Portfolios, Projects, and Reproductions of Artwork
2003 Waters, John, and Bruce Hainley. Art: A Sex Book, Thames and Hudson, New York, 120, 122, 135–136, 137–139, 141, 146, 148, 158, 188
1997 Hirsch Farm Project/World Tour, Hirsch Foundation, Northbrook, IL (catalogue)
1998 “Hasi Hester” (with Michael Lobel), Nest, Fall
Awards and Honors
2005 John Simon Guggenheim Memorial Foundation Fellowship
1999 San Francisco Art Council Individual Artist Grant
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