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Bill Komoski Biography

Born in New York City in 1954

Lives in New York City

Education

1978Rhode Island School of Design, Providence, RI; BFA

One-Person Exhibitions

2010Feature Inc., New York

2007Angstrom Gallery, Los Angeles

2006Feature Inc., New York

2004Feature Inc., New York

2002Angstrom Gallery, Dallas, TX

1999Feature Inc., New York

1996Feature Inc., New York

1995Postmasters, New York

1994Susanne Hilberry Gallery, Birmingham, MI

1993Galerie Ludwig, Krefeld, Germany (catalogue)
Postmasters, New York

1991Feigen Inc., Chicago
Ealan Wingate Gallery, New York
Roy Boyd Gallery, Santa Monica, CA
Galleri Nordanstadt-Skarstedt, Stockholm

1989Koury Wingate Gallery, New York
Roy Boyd Gallery, Santa Monica, CA

1988Galerie Hubert Winter, Vienna
“Four Paintings,” Koury Wingate Gallery, New York

1987Baskerville + Watson, New York
Galerie Barbara Farber, Amsterdam

1986Christminster Gallery, New York

1984Christminster Gallery, New York
Barbara Gladstone Gallery, New York

1983Madison Art Center, Madison, WI

1982Barbara Gladstone Gallery, New York

Selected Group Exhibitions

2010“Swell,” Friedrich Petzel Gallery, New York; curated by Jacqueline Miro
“The Jewel Thief,” The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, New York;
      curated by Ian Berry and Jessica Stockholder (catalogue)
“Wall-to-Wall,” Daniel Weinberg Gallery, Los Angeles

2009“Populate This Form,” Feature Inc., New York

2007Block Party II: An Exhibition of Drawings,” Daniel Weinberg Gallery, Los Angeles
“Horizon,” EFA Gallery, New York; curated by David Humphrey

2006“Block Party,” Daniel Weinberg Gallery, Los Angeles

2005“Painted World,” P.S. 1 Contemporary Art Center, Long Island City, New York; curated by Robert Nickas
“Steve DiBenedetto, Bill Komoski, Bruce Pearson, Michael Tetherow: Paintings and Drawings,”
      Daniel Weinberg Gallery, Los Angeles, CA
“The sun rises in the evening.,” Feature Inc., New York
“Especial – Arbeiten Auf Papier,” Galerie Schmidt Maczollek, Cologne

2004“North Fork/ South Fork Part 2: East End Art Now,” Parrish Art Museum, Southampton, NY (catalogue)

2003“Urban Visionaries,” Cooper Union, New York

2002“Song Poems,” Rosamund Felsen Gallery, Los Angeles; curated by Steven Hull
“7 Grays,” Paula Cooper Gallery, New York; curated by Dan Walsh

2001Bruce Brosnan/Bill Komoski,” Feature Inc., New York
“3 set in 7,” Centre Régional d’Arte Contemporain; Sète, France.
“Song Poems,” Cohan Leslie Browne, New York; Angstrom Gallery, Dallas; curated by Steven Hull

2000“Hairy Forearm’s Self-Referral,” Feature Inc., New York
“Painting Function: Making it Real,” Spaces, Cincinnati, OH; curated by Saul Ostrow(catalogue)
“Aintings and Rawings,” Feature Inc., New York

1998“Paintings,” Feature Inc., New York
“Exploiting the Abstract,” Feigen Contemporary, New York

1997“Gnarleyand,” Feature Inc., New York
“Vertical Painting,” P.S. 1 Museum, Long Island City, NY
“Divergent Models,” Nassauischen Kunstverein, Wiesbaden, Germany

1996“Allover Again,” Municipal Gallery, Saragossa, Spain

1995“Re: Fab,” Contemporary Art Museum, University of South Florida, Tampa, FL; Wolfson Galleries, Miami-Dade
      Community College, Miami (1996); Robert Hull Fleming Museum, University of Vermont, Burlington, Vermont
      (1997); curated by Rochelle Feinstein and Shirley Kaneda (catalogue)
“Sieben New Yorker Maler,” Kunstverein Museum Scholss, Morsbroich, Germany

1994“What’s Wrong with This Picture?,” Zolla-Lieberman Gallery, Chicago

1993“What’s Wrong with This Picture?,” Postmasters Gallery, New York
Jay Gorney Modern Art, New York

1991“Conceptual Abstraction,” Sidney Janis Gallery, New York

1990“Disconnections,” Galleri Nordanstadt-Skarstedt, Stockholm

1988“Der Hund im mir – The Dog Within,” Galerie Hubert Winter, Vienna
“Fragments of History,” Albany Art Museum, Albany, NY
“Painting Between the Sacred and Profane,” Galerie Rahmel, Cologne
Galerie Xavier Hufkens, Brussels
“De Kunst Collectie van het Bouwfonds,” Stedelijk Museum, Amsterdam
“About Paintings,” Galerie Barbara Farber, Amsterdam
Galerie Kahle, Hamburg, Germany

1987“Playback,” Galerie Hubert Winter, Vienna; curated by Jeffrey Rian
Postmasters, New York

1986Wolff Gallery, New York
“A New Abstraction,” New City Gallery, Venice, CA
Baskerville + Watson, New York

1985“Autogeneticsphotopsia,” Christminster Gallery, New York; curated by Bill Komoski
“Black and White,” Los Angeles Institute of Contemporary Art, Los Angeles
“Past and Future Perfect,” Hallwalls, Buffalo, NY

1983“Painting into Sculpture,” Bonlow Gallery, New York
“London/New York,” Lisson Gallery, London

1982Painting and Sculpture Today,” Indianapolis Museum of Art, Indianapolis, IN
“Drawing Triennale,” Nurnberg, Germany
“Drawings,” Los Angeles Contemporary Exhibitions, Los Angeles

1981“Fictive Victims,” Hallwalls, Buffalo, NY (catalogue)
“Beware of the Dog,” Mudd Club, New York
“Noise Fest,” White Columns, New York
“New York/New Wave,” P.S. 1 Museum, Long Island City, NY

1980“The Times Square Show,” New York

1979“Manifesto Show,” 5 Bleecker Street, New York

Selected Bibliography

2010Rubin, David S., ed. Psychedelic: Optical and Visionary Art Since the 1960s, with essays by David S. Rubin,
      Robert C. Morgan and Daniel Pinchbeck, San Antonio Museum of Art in association with MIT Press,
      Cambridge, MA, 32 – 33, 108

2008Sonic Youth, etc.: Sensational Fix, exhibition catalog, LiFE- Lieu international des Formes Emergentes,
      St-Nazaire, France

2007Taft, Catherine. Review, Your Gallery, saatchi-gallery.co.uk/blogon, 8 June
Taft, Catherine. Review, Modern Painters, September, 95
Knight, Christopher. “There’s Power in the Abstract,” Los Angeles Times, 15 June

2005Boyce, Roger. Review, Art in America, January, 122 (reproduction)

2004Ernst, Eric. “Diplomatic, but Lacking a Spark,” Southampton Press, 2 September
“Parrish Will Take Stock Of East End Art World,” Southampton Press, 20 May
“North Fork/South Fork Part 1,” Sag Harbor Express, 20 May
Rogers, Pat, “Show’s A Sampler, Not a Survey,” Southampton Press, 24 June
Boyce, Roger. “Thomas Nozkowski at Max Protech,” Art in America, June/July, 179

2002Volk, Gregory. Review, Art in America, January, 110–111 (reproduction)

2001“Loose,” Arena Homme, Spring/Summer, 251 (reproduction)

2000Raczka, Robert. Review of “Painting Function,” New Art Examiner, June

1999Blair, Dike. Review, The Thing,, 23 June (reproduction) >link
Glueck, Grace. Review, New York Times, 9 July, E35
Mahoney, Robert. Review, Time Out New York, 8 July, 56–57 (reproduction)
Goings On About Town, New Yorker, 19 July, 20

1996Ostrow, Saul. “Editor’s Choice: Art,” Bomb, Fall, 9 (reproduction)
Smith, Roberta. “Palettes Full of Ideas About What Paintings Should Be,” New York Times,
      1 November, C27

1995Klein, Monika. “Sieben New Yorker maler Stelen in der Studigalerie,” Rheinische Post,21 March
Schwenke-Runkel, Ingeborg. “Knallbuntes aus New York,” Kolner Stadt-Anzeiger, 21 March

1994Colby, Joy Hakanson. “Art by Man or Machine? Painter Komoski Explores the Gulf,”
       Detroit News
, 11 November
“New York im Spotlight - Drei Maler bei Sfeir-Semler,” Kieler Nachrichten, 1 January

1993Clarkson, David. Review of “What’s Wrong with This Picture?,” Flash Art, October
Smith, Roberta. “Shades of a Rebirth in Painting,” New York Times, 18 June

1989Brenson, Michael. Review, New York Times, 14 April
Holst, Lise. “Diagrams and Surrogates,” Artnews, May
Kelley, Mike. “Foul Perfection: Thoughts on Caricature,” Artforum, January
Weinstein, Matthew. Review, Artforum, September

1987Miller, John. Review, Artscribe, May
Rian, Jeffrey. Review, Art in America, April
Smith, Roberta. Review, New York Times, 23 January

1984Kleyn, Robert. “The Shadow Reflected,” Z.G., Fall
Smith, Roberta. Review, Village Voice, November

1983Kuspit, Donald. Review, Artforum, January

1982Glueck, Grace. Review, New York Times, 1 October
Pincus, Robert L. Review, Los Angeles Times, 10 August

Publications, Portfolios, Projects, and Reproductions of Artwork

2009Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting, Phaidon Press, New York

2008No Milk Today 1, no. 1, edited by Billy Miller (reproduction)

2007Untitled publication, no. 1 (Spring), Feature Inc., New York (reproduction)

2005Mitchell, W. J. T. What do Pictures Want? University of Chicago Press, Chicago and London,3, 227
Perry, Vicky. Abstract Painting: Concepts and Techniques, Waltson-Guptill Publications,
      New York, 58, 93 (reproductions)

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